A STEM brain that went to film school.

I left engineering for cinema and design when I worked out that my actual talent is turning complicated things into something you understand in three seconds.

I’m from Salvador, Bahia, and it shows in the work — colour, rhythm, a refusal to be boring. Two years in-house at Fundição Progresso, one of Brazil’s biggest cultural centres, taught me volume: a week of assets in a day, every week of festival season, with a different artist on stage every night.

Since then: full show packages for The Pet Collective, a reusable motion system for Morningside AI, campaign art direction for Nectar, and twenty-seven vertical edits for real consumer brands through Insense. I also directed three short films that went to seven international festivals, including the Weimar Poetry Film Award.

I design, I animate, I cut, and I write the hooks. I use AI where it removes tedium — generation for exploration, voice and avatar work, versioning — and nowhere that it replaces judgement.